Hot Docs – Canadian International Documentary Festival (April 26–May 6, 2012) is a competitive event seeking Canadian and international documentaries of all lengths (feature length: 60 min. or longer; mid-length: 30 to 59 min.; short: under 30 min.) and subject matter. ELIGIBILITY: Submissions must have been completed after January 1, 2011; cannot have been screened publicly prior to January 1, 2011; must be Toronto premieres; must be in English, subtitled in English; must be exhibited in one of the following screening formats: 35mm film, DigiBeta (NTSC or PAL) and HDCAM. Entry fees: $33.90 CDN for short films; $67.80 CDN (before December 2, 2011) or $118.65 CDN (before January 13, 2012) for mid and feature length films. AWARDS: Hot Docs features two juried competition programs and several noncompetitive programs. DEADLINE: December 2, 2011 (early); January 13, 2012 (late). WEBSITE: hotdocs.ca/.
The California Story Fund, presented by California Council for the Humanities (CCH), supports public humanities programs that bring light to compelling stories from California's diverse communities and provide opportunities for collective reflection and public discussion. ELIGIBILITY: Applicants must have California tax-exempt organizational status or partner with a California tax-exempt organization that will serve as a fiscal sponsor, not have an open grant with CCH, and be in good standing with CCH. Projects should be based on stories gathered from community members, include a public discussion component and at least one humanities expert. Film/video projects should not exceed a total budget of $50,000. AWARDS: Applicants may request up to $10,000, which must be matched by at least an equivalent contribution of non-federal funds or in-kind services. DEADLINE: November 15, 2011. WEBSITE: calhum.org/guidelines/guidelines_csf.htm.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
With riveting characters, cascading revelations and momentous breakthroughs, Epstein and Friedman’s work paved the way for contemporary documentary practice.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
Universally warm sentiment is attached to the Bay Area's hardest working indie/art film publicist.
"The launch of SF360.org, an online publication devoted to covering the entire Bay Area film community, was one of San Francisco Film Society Executive Director Graham Leggat's first initiatives when he took over the organization," writes Pam Grady. "...in November, a victim of financial realities and organizational changes in the wake of Leggat's recent death, SF360.org will cease publication." More at SFGate.
The TFI Latin America Media Arts Fund supports innovative film and video artists who are living or working in Mexico, Central and South America and working independently in their efforts to reach a larger audience. ELIGIBILITY: Submissions must be animation, documentary and/or hybrid feature-length films with an intended length of at least 70 minutes. Submissions must be in production or post-production and must not have aired on any form of television, been screened publicly or have been distributed in theaters or via the internet. Projects may be in any language or dialect. Applicants must be over 18 years old. Student films and stand-alone short films are not eligible for submission. $25 entry fee. AWARDS: Last year, the Fund administered $10,000 grants to four selected films. In addition to funding, each grantee will receive a U.S. based advisor and guidance from the Tribeca Film Institute. DEADLINE: October 10, 2011. WEBSITE: tribecafilminstitute.org/filmmakers/latin_fund/.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Goldman Prize-winning environmentalists' work highlighted in short-form pieces by Parrinello, Antonelli and Dusenbery.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
Though it's legal to film illegal acts, crime can certainly complicate your filmmaking process.
"The proposal for the 82,000-square-foot facility made public Wednesday evening comes 15 months after the university-owned institution restarted the effort to build itself a new home on the downtown edge of the UC Berkeley campus at Center and Oxford streets," reports John King. Read more at sfgate.com.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Sex-filled fictions dominate Toronto International Film Festival; eclectic docs inspire action.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Director, producer speak of challenges, inspirations behind a story of the urban Iranian underground.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Powerfully positioned San Francisco-based champion of independent docs and dramas for television begins to navigate its third decade.
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Filmmakers find themselves outside the 'buffer' zone as film about graffiti-abaters hits local screens, and streets. Editor's note: Vigilante, Vigilante: The Battle for Expression, a Bay Area-made film on graffiti "abatement," opened with a clamor last weekend at the Roxie, as San Francisco's Department of Public Works made an issue of cleaning up the film's street-art advertising campaign. The filmmakers responded that they've asked that their materials not be posted illegally, but that hasn't stopped DPW requesting them to cease and desist attracting audiences via wheatpaste. What follows is sf360.org's interview...
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
Clio Barnard's ‘The Arbor’ takes a fascinating and unconventional look at Andrea Dunbar's brief, brilliant career.
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
The filmmaker talks about time, life, storytelling and her new film, ‘The Future.’
Herzog "best fiend" Klaus Kinski battles hecklers and personal ghosts in this newly restored print of his 1971 one-man show, one of scant few opportunities for English audiences to bear witness to his truly unhinged, but deeply compelling public persona. Plays at YBCA; more info YBCA.org.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
An SF Chronicle editor speaks about his third feature, a Texas-set sex comedy making its debut at Frameline35.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
San Francisco Film Society commemorates 20 years of education programs in 2011. Since 1991, the San Francisco Film Society has been educating youth in film, but it’s not all elementary, or middle, or high school-oriented: What began as a K–12 Schools at the Festival program that brought students and international cinema together has, 20 years later, grown into year-round educational programming that serves not just under-18s, but lifelong learners, professional and novice filmmakers and university students.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
Tom Weidlinger creates a cooking show that offers surprises for the slow-foodie.
City College of San Francisco offers a best-of program in the one day, student-run City Shorts Film Festival. The festival is free to the public. More at cityshorts.tumblr.com.
Opening weekend of ‘These Amazing Shadows,’ a docu on American movies, features Q&As with its Bay Area filmmakers, as well as other local figures, including SF Chron critic Mick LaSalle, SF Public Defender (and filmmaker) Jeff Adachi and cinematographer Frazer Bradshaw. More at theseamazingshadows.com.
SFFS's Schools at the Festival toasts its 20 years with clips, stories, tributes, food and drink (5:00 pm), followed by a special Teacher Appreciation Night screening of ‘American Teacher’ (6:30 pm), a documentary exploring the frustrating realities facing public school teachers, with special guests in attendance. More at fest11.sffs.org.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
A nonfiction tagging doc takes a novel approach, looking at those who erase graffiti as opposed to those who make it.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
YBCA rallies behind Jafar Panahi and Mohammad Rasoulof with its ‘Iran Beyond Censorship’ series.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
A new Burroughs documentary revisits a familiar story, but delivers fresh insight.
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
At nearly 30, SF Int’l Asian American Film Festival fulfills a multifacted programming mission. The 29th edition of the San Francisco International Asian American Film Festival stretches across the Bay Area, from San Francisco to Berkeley to San Jose March 10–20, bringing “Stories to Light” as the Center for Asian American Media's new tagline says. Indeed, both the stories and their potential audiences would be left in the dark without the solid efforts of new festival steward Misashi Niwano and Christine Kwon (festival director and managing director, respectively). In a city privileged with a vast...
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Scary Cow matches makers with crews, and, every quarter, finds audiences for both.
Filmmakers Amy and Tom Valens appear in person at Smith Rafael Film Center for the world premiere of their documentary ‘August to June,’ which follows Amy in her final year as an instructor at a public elementary school in the city of Lagunitas. More at cafilm.org.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Outspoken and rarely understated, Bay Area filmmakers took center stage in 2010.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Laura Lukitsch's new project asks whether we can replace car culture with biking, public transportation and high-speed rail.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Sundance announces its competition class of 2011, which includes Bay Area projects by Tiffany Shlain, Yoav Potash, Jennifer Siebel Newsom and David Weissman.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
Former Film Arts Foundation head Gail Silva continues to catalyze the film community. It would be a simple matter to collect testimonies to Gail Silva’s extraordinary impact and influence on the Bay Area film community—and beyond—from the countless artists and novices she has counseled, coached, prodded and pushed in the last 30-plus years and counting. But an extensive public appreciation already exists, you see, in the hundreds and hundreds of films, long and short, that prominently acknowledged her contribution in the end credits. The longtime executive director of Film Arts Foundation (of blessed memory) and creative and strategic consultant for a host of individual clients, Silva is deservedly included in the inaugural class of Essential SF honorees.
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
David L. Brown explores traumatic brain injuries with 'Going the Distance.' When ABC’s Bob Woodruff and his cameraman were badly injured by an IED in Iraq in January of 2006, it was the top story for days. We may not know any of the estimated 320,000 soldiers who’ve returned home with traumatic brain injuries (TBI), but we do remember the co-anchor of World News Tonight. To his credit, he and his family created the Bob Woodruff Foundation to advocate for and raise money for veterans with head injuries, and to educate the public. Longtime Brisbane documentary maker David L. Brown was at one of those benefits, a 22-mile traverse....
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Two filmmakers examine the justice system in the U.S. post-Sept. 11.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Photo/essay book 'Left in the Dark' offers a way in—and out of—San Francisco cinema's rich, gritty, glamorous past.
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
Pacific Film Archive offers the first of three excerpts from its monumental new book, 'Radical Light.'
A look at Phil Spector brings back memories, if not that loving feeling.
A look at Phil Spector brings back memories, if not that loving feeling.
A Greek film incriminates the viewer.
A Greek film incriminates the viewer.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Director Ben Steinbauer and Bay Area-based producer Malcolm Pullinger talk about anger, RVs, and "going viral" with their new film.
Three Bay Area documentaries correct the historical record.
Three Bay Area documentaries correct the historical record.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Tom Shepard and Andy Abrahams Wilson are redefining activist filmmaking with educational films, such as their documentary on the National AIDS Memorial Grove in Golden Gate Park.
Charlotte Buchen’s Bay Area Street Portraits take us on a ride with the everyday bicycling citizen of Berkeley and Oakland.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Tamara Perkins' The Trust is intended to provide a rare lens into the lives of incarcerated men and their families.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Jennifer Preissel examines the film and the court case that could redefine a journalist’s protection under First Amendment rights.
Critical consensus on Frameline34 marks it a good year. The audience wanted something different, and the festival has largely obliged.
Charles Koppelman's documentary in progress, Zero Day, exposes each of three threats to the Internet: cybercrime, cyberespionage and cyberwarfare.
For many, the mother of all brain-scrambling cinematic boondoggles is Troll 2; a documentary takes stock of the phenomenal success of this epic failure.
Former San Franciscan Jack Stevenson returns from Denmark to promote the U.S. publication of Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s.
We caught up with several Bay Area makers, fresh off their high-energy screenings at SFIFF53 and primed to keep the momentum rolling.
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
Poet, essayist, environmentalist, Buddhist, public intellectual and teacher Gary Snyder speaks on life and the making of 'The Practice of the Wild.'
You know someone is well liked when they re used as the standard by which you fall short.
If there's a sure-fire crowd-pleaser in this year's San Francisco International Film Festival, it s Roberto Hernandez and Geoffrey Smith's Presumed Guilty.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
You are awesome. Spectacular, incredible, interesting, accomplished and generally just way awesome. Everyone wants to hear every possible thing there is to know about you.
With opening night approaching, Rachel Rosen talked about her L.A. Rolodex, the function of festivals in a broadband world and her favorites in the festival.
Think of U.S. public television and science fiction or any type of fiction doesn't spring to mind. ITVS aims to change that perception with a series of mini-features.
The culture war is over, and the reactionaries have won. In this climate, Jerome Hiler and Owsley Brown III s Music Makes a City is a revelation,
The Center for Asian American Media, formerly known as NAATA and founded to nurture Asian American filmmakers as well as counter ethnic stereotypes, has accomplished that and more.
From his modest start as a staff writer at 20th Century Fox, Sid Ganis has built an uncommonly long and successful career in Hollywood.
People are fascinated by the lives of others. But can someone make a doc, biopic, historical or narrative film about a famous person without their permission?
The film historian looks back at Frank Stauffacher's seminal mid-century series, which hatched a Bay Area avant-garde.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Hilary Hart, who annually holds down the late-night shift at the Egyptian at Sundance, offers interviews with fellow workers at the festival.
Stephen Talbot left PBS s Frontline World to create and develop original media properties, including a globe-trotting TV series about world music.
Kristine Enea's documentary shows The EcoCenter, a San Francisco environmental educational facility that treats and recycles wastewater and generates its own solar power.
The scoop on the projects of the inaugural class for the SFFS/Kenneth Rainin Foundation Filmmaking Grants, which support lively, intelligent social-issue narrative films.
Boston Phoenix film critic Gerald Peary's film tours the rise, fall and reorientation of film criticism in the United States.
The PFA is offering a rare overview of Bergman's European films in the series, A Woman's Face: Ingrid Bergman in Europe.
Bay Area locals Jonathan Parker and Catherine di Napoli discuss (Untitled), a hilarious romp through the world of conceptual art and atonal music.
Though often made for private reasons, home movies are treasure troves of culture ephemera and social history.
A year after Jonathan Marlow took the helm as executive director, the organization is showing fresh signs of life.
Chris Simon and Maureen Gosling's documentary-in-progress, tentatively titled No Mouse Music! The Story of Chris Strachwitz and Arhoolie Records, pays tribute to an underappreciated artist.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
Franny Armstrong talks about the moral imperative of her films, the importance of Hopenhagen, and the unexpected magnitude of her success.
The rapid adoption of e-newsletters by documentary filmmakers is the latest example of resourcefulness and efficiency among contemporary independents.
With in-process Volunteer Nation: Stories of Service, veteran producer-directors Ben Hess and Dan Janos are mobilizing the millennials.
Josef von Sternberg's The Salvation Hunters caused a small sensation within the industry when it appeared, and is visually assured time capsule of urban poverty.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
Newly-retired Pacific Film Archive publicist Shelley Diekman discusses her cinephile tastes, her past and her future.
Bruce Goldstein recalls his adventures in film land as he prepares to host the Con Film Festival at the Film Forum in New York.
Elliot Lavine, a Bay Area film scene fixture, returns to The Roxie to curate I Wake Up Dreaming: The Haunted World of the B Film Noir, a series of 28 lowdown and tawdry films.
Robert Redford braves the public and accepts the San Francisco International Film Festival's Peter J. Owens Award.
Zac Holtzman scores The Lost World with Dengue Fever, creating a sound that has been described as a psychedelic version of vintage Cambodian rock'n'roll, fueled by Cambodian singer Chhom Nimol's vocal stylings and Ethan Holtzman's organ and accordion shadings.
Local filmmakers Allie Light and Irving Saraf's latest film Empress Hotel delves into the lives of the residents at the titular building, a Tenderloin housing facility for the recently homeless. The film makes visible an area many city dwellers may only experience in the fringe of their consciousness and provides insight into the lives of the residents within.
William W. (Bill) McLeod, 59, one of the Bay Area's most respected film publicists died at his home on March 29th, 2009.
What you'll get at Cinequest's three downtown San Jose venues is a mix of tributes, seminars, parties and, of course, a whole lot of movies, including no fewer than 18 world premiere features.
Davies' latest film recalls his earlier autobiographical narratives, but is also unlike anything he has done before, being nonfiction.
13 Most BeautifulÉSongs for Andy Warhol's Screen Tests offers a cherry-picking of the famous Warhol reels accompanied by live original-soundtracking.
Susie Gerhard gives an overview of a festival moving back to the basics of art-making.
First-Person: A program officer at the San Francisco Foundation has a sobering experience making a documentary.
SF360.org spoke with Eddie Muller, who launched Noir City, an annual noir festival that has attracted an avid following in the Bay Area and beyond.
The forthcoming film Speaking in Tongues follows four diverse local public-school students enrolled in language-immersion programs.
Certain questions in 2008 endlessly plagued the film world, leading to outlandish predictions, flame-war mayhem and an outbreak of opinionated public speaking.
Oakland's Pamela Harris and Grantmakers in Film + Electronic Media are connecting media makers with financial resources.
Former San Francisco Examiner film critic Michael Sragow talks about his newly released book Victor Fleming: An American Movie Master.
Film historian and essayist David Thomson talks to SF360 about his new book, Have You Seen . . . ? A Personal Introduction to 1,000 Films.
The extreme, the strange, the silly and surreal all have big seats at the SF DocFest table.
A film in a darkened theater commands our undivided attention, but a video installation in a museum doesn't have the same effect.
SF360.org talks to the senior director of original programming at Link TV, which provides an antidote to the standard television news mix.
Empress Hotel looks at residents of a hotel turned homeless people's residence through San Francisco's Access to Housing program.
Li Yang speaks about commercial pressures in Chinese film and the story behind Blind Mountain.
A documentary tribute to Derek Jarman, Isaac Julien's Derek does not seek to enlarge or complicate the filmmaker's legacy so much as succor its loss.
In 'Surfwise', documentarian Doug Pray examines the eccentric Paskowitz clan, whose patriarch and nine children have been legends in the surfing world for decades.
It may not be easy being Uwe Boll, but it must be fun. He's a boundlessly energetic fanboy-turned-maker who thinks large.
The longtime Bay Area resident, who recently relocated to Brooklyn, screens Woodward's Gardens in the shorts program "In A Lonely Place: New Experimental Cinema."
The star of My Name Is Earl is (alongside Grindhouse superstarlet Rose McGowan) the recipient of this year's SFIFF Midnight Award.
Tanner Shea and Zach Slow have launched the 2 Husbands contest and website, where they ask women to post videos in consideration of becoming their wives.
Alan K. Rode, a cofounder of the Film Noir Foundation, sang the praises of San Francisco movie audiences on the horn from L.A., then got down to brass tacks.
At Sundance 2008, a swath of features, docs, installations, and projected art shared similar socio-political concerns, which they grappled with via well-honed aesthetic filters.
Heath Ledger's death was sad not just because any young death is sad, but because we'd only just begun to know Heath Ledger as a real artist.
The Goethe-Institut's festival offers a pointed reminder that Germany, Austria and Switzerland aren't just in the center of Europe, but in the middle of international cinema.
Somewhere between iPhone and YouTube there’s a wee festival known as miniPAH. A more slender version of PAH-FEST, the touring weeklong digital film festival founded a year and a half ago by filmmaker Christopher Coppola, “miniPAH: San Francisco” happens this weekend at Coppola’s alma mater, San Francisco Art Institute, ahead of a full-fledged Bay Area PAH sometime next year.
A perfect example of the emerging genre of improv-based, digitally shot, minimally budgeted seriocomedies about twentysomethings stumbling through, you know, relationship stuff.
The documentary What Would Jesus Buy? makes bad news go down easy, thanks largely to its "star," Reverend Billy of the Church of Stop Shopping.
The List: We take the opportunity to link you to four short films from the Big Ugly Review, an online publication that includes fiction, nonfiction, poetry, and more.
Sometimes even presumably good intentions can warp into artistic misdeeds most foul.
Jamie Meltzer talks about his new film on Nigeria, where the digital revolution enables entrepreneurs to churn out movies quickly and inexpensively.
Reality, generally considered over-rated by the moving-going public, is the unapologetic core of SF DocFest.
Lynn Hershman Leeson discusses her new project, ÔStrange Culture'.
SF360.org reviews a masterpiece of train-wreck voyeurism and "Sunset" stripped.
S.F.Ôs Italian Cultural Institute is launching an extensive if not quite exhaustive retrospective of Pasolini's features.
The List: The following list consists of the most interesting or important moments in the visualization of blood, from sheer abundance to aesthetic appreciation.
Now past its third-decade anniversary, SFILGBTFF — the producing organization keeps trying to change its public-recognition name to something more manageable, which this annum would be Frameline31 — now has filmmakers and distributors banging on its door.
Industy vets will identify Klores with his PR firm, but he's also produced and directed TV docs and Ring of Fire: The Emile Griffith Story.
Walking in to interview John Carney and actors/musicians Glen Hansard and Marketa Irglova, the frenetic edge to their on-the-road exhaustion is apparent.
The Oscar-nominated screenwriter of Little Miss Sunshine made a Cody's San Francisco bookstore appearance promoting the publication of the shooting script.
The latest launch under the SF Film Society's SF360 banner premieres this week on ComcastSF, Channel 11.
Highlights of the upcoming festival were presented by the San Francisco Film Society Executive Director.
San Francisco artist James T. Hong is currently working on a documentary, tentatively titled New History Zero, which explores his interest in revisionist World War II history.
The weekly series is a platform for independent filmmakers in California, showcasing short and full-length documentaries about the state.
Segueing from network television news to documentary features, Amy Berg makes her debut with a shocking, powerful film about pedophile priest Oliver Grady.
Though it won the Silver Bear at the Berlin Film Festival in 1975, Overlord is one of those movies that mostly slipped through the cracks.
The real voter fraud is orchestrated under the radar, says the director of American Blackout.
The annual series of films from countries with less developed or out-of-favor national cinemas has several winners.
The author's cult gets another buck-up from the release of Norwegian director Bent Hamer;s first English-language feature, Factotum.
The San Francisco Media Archive director talks about the weirdness and normality revealed on Home Movie Day.
An appreciation of the great actress of cult and mainstream films, before her appearance at a Midnight Mass screening of Death Race 2000.
The beloved cult classic will screen in conjunction with a live cast reunion at Peaches Christ's Midnight Mass series.
Bay Area soccer fans offer their takes on the best football films.
S.F. International LGBT Film Festival celebrates its 30th anniversary as a forum for the LGBT community to celebrate its own hard-won survival and progress.
Carrie Lozano talks about her inspiration to make Reporter Zero, a documentary on Chronicle reporter Randy Shilts, who documented the early years of the AIDS epidemic.
I first saw the remarkable A Trip Down Market Street, 1905 at the Exploratorium seven years ago, feeling chills as I gazed into the past.
The List: How JT LeRoy went from fiction to fact in the media.
Jeff Adachi, San Francisco public defender, adds filmmaker to the resume.
HRW's series of films chosen for aesthetic value and human rights content continues to grow as it stays true to its roots.
Michael Fox goes behind the scenes on Peaches Christs' slice-'em-up.